{"title":"Michelle Thompson","description":"\u003cp\u003e\u003cspan class=\"TextRun SCXW73773999 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW73773999 BCX0\"\u003eThompson works across analogue and digital processes, combining found imagery, vintage ephemera and fragmented text to explore identity, memory, nostalgia and the female experience. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"michelle-thompson","title":"She Spoilt His Evening (2025) (Unframed) by Michelle Thompson","description":"\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eShe Spoilt His Evening\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e(202\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e5\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eGiclée print on\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003ePaper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eEdition\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eof 30\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TabRun IPSelectionBlob BlobObject DragDrop SCXW203702409 BCX0\"\u003e\u003cspan class=\"TabChar SCXW203702409 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eMichelle Thompson is a British collage artist and illustrator based in Saffron Walden. A graduate of the Royal College of Art, she works across analogue and digital processes, combining found imagery, vintage\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eephemera\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand fragmented text to explore identity, memory,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003enostalgia\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand the female experience. Alongside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ea long career\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ein editorial illustration for clients including The New York Times, The Guardian, TIME and Penguin Books, Thompson has\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003einternationally, including at the Royal Academy of Arts Summer Exhibition. Her work often obscures or interrupts faces, questioning ideas of visibility,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003econtrol\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand representation.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW136594403 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e‘These collages draw on vintage domestic imagery and advertising slogans to explore\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW136594403 BCX0\"\u003eidentity,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003econtrol and the expectations historically placed on women. Using found material, fragmented text and obscured faces, the works interrupt familiar narratives and question how identity is shaped through language,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eimage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand repetition. Moving between analogue collage and digital processes, Michelle Thompson creates compositions that feel both nostalgic and uneasy. The act of covering,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ecropping\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand censoring becomes a way of exploring visibility and absence, suggesting figures that are present yet partially withheld. Created for David Parr House, the works respond to ideas of domestic space,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand social history.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW136594403 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michelle Thompson","offers":[{"title":"She Spoilt His Evening (unframed)","offer_id":54014628200781,"sku":"INC08","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/5693\/8829\/files\/89231be5-82ae-4f24-bbfa-cb4e2c1cba9f.jpg?v=1780400025"},{"product_id":"she-spoilt-his-evening-2025-framed-by-michelle-thompson","title":"She Spoilt His Evening (2025) (Framed) by Michelle Thompson","description":"\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eShe Spoilt His Evening\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e(202\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e5\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e (Framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eGiclée print on\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003ePaper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eEdition\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eof 304\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW203702409 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003ePick up only after 20 June\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eMichelle Thompson is a British collage artist and illustrator based in Saffron Walden. A graduate of the Royal College of Art, she works across analogue and digital processes, combining found imagery, vintage\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eephemera\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand fragmented text to explore identity, memory,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003enostalgia\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand the female experience. Alongside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ea long career\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ein editorial illustration for clients including The New York Times, The Guardian, TIME and Penguin Books, Thompson has\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003einternationally, including at the Royal Academy of Arts Summer Exhibition. Her work often obscures or interrupts faces, questioning ideas of visibility,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003econtrol\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand representation.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW136594403 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e‘These collages draw on vintage domestic imagery and advertising slogans to explore\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW136594403 BCX0\"\u003eidentity,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003econtrol and the expectations historically placed on women. Using found material, fragmented text and obscured faces, the works interrupt familiar narratives and question how identity is shaped through language,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eimage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand repetition. Moving between analogue collage and digital processes, Michelle Thompson creates compositions that feel both nostalgic and uneasy. The act of covering,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ecropping\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand censoring becomes a way of exploring visibility and absence, suggesting figures that are present yet partially withheld. Created for David Parr House, the works respond to ideas of domestic space,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand social history.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP Selected SCXW136594403 BCX0\" data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michelle Thompson","offers":[{"title":"She Spoilt His Evening (Framed)","offer_id":54031052210509,"sku":"INC08","price":115.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/5693\/8829\/files\/89231be5-82ae-4f24-bbfa-cb4e2c1cba9f.jpg?v=1780400025"},{"product_id":"no-2026-framed-by-michelle-thompson-copy","title":"No (2026) (Framed) by Michelle Thompson","description":"\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eNo\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e(2026\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e (Framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eGiclée print on\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003ePaper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eEdition\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eof 20\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TabRun IPSelectionBlob BlobObject DragDrop SCXW203702409 BCX0\"\u003e\u003cspan class=\"TabChar SCXW203702409 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003ePick up only in store after 20 June\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eMichelle Thompson is a British collage artist and illustrator based in Saffron Walden. A graduate of the Royal College of Art, she works across analogue and digital processes, combining found imagery, vintage\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eephemera\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand fragmented text to explore identity, memory,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003enostalgia\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand the female experience. Alongside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ea long career\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ein editorial illustration for clients including The New York Times, The Guardian, TIME and Penguin Books, Thompson has\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003einternationally, including at the Royal Academy of Arts Summer Exhibition. Her work often obscures or interrupts faces, questioning ideas of visibility,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003econtrol\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand representation.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e‘These collages draw on vintage domestic imagery and advertising slogans to explore\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW136594403 BCX0\"\u003eidentity,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003econtrol and the expectations historically placed on women. Using found material, fragmented text and obscured faces, the works interrupt familiar narratives and question how identity is shaped through language,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eimage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand repetition. Moving between analogue collage and digital processes, Michelle Thompson creates compositions that feel both nostalgic and uneasy. The act of covering,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ecropping\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand censoring becomes a way of exploring visibility and absence, suggesting figures that are present yet partially withheld. Created for David Parr House, the works respond to ideas of domestic space,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand social history.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michelle Thompson","offers":[{"title":"Default Title","offer_id":54031081111885,"sku":"INC08","price":115.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/5693\/8829\/files\/NO_giclee_print_Ed20_bc722cbf-63e4-4295-a636-9e1dfef320dc.jpg?v=1780400383"},{"product_id":"no-2026-unframed-by-michelle-thompson","title":"No (2026) (Unframed) by Michelle Thompson","description":"\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eNo\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003e(2026\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e (Framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eGiclée print on\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003ePaper\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eEdition\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eof 20\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TabRun IPSelectionBlob BlobObject DragDrop SCXW203702409 BCX0\"\u003e\u003cspan class=\"TabChar SCXW203702409 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eMichelle Thompson is a British collage artist and illustrator based in Saffron Walden. A graduate of the Royal College of Art, she works across analogue and digital processes, combining found imagery, vintage\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eephemera\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand fragmented text to explore identity, memory,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003enostalgia\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand the female experience. Alongside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ea long career\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ein editorial illustration for clients including The New York Times, The Guardian, TIME and Penguin Books, Thompson has\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003einternationally, including at the Royal Academy of Arts Summer Exhibition. Her work often obscures or interrupts faces, questioning ideas of visibility,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003econtrol\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand representation.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e‘These collages draw on vintage domestic imagery and advertising slogans to explore\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW136594403 BCX0\"\u003eidentity,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003econtrol and the expectations historically placed on women. Using found material, fragmented text and obscured faces, the works interrupt familiar narratives and question how identity is shaped through language,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eimage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand repetition. Moving between analogue collage and digital processes, Michelle Thompson creates compositions that feel both nostalgic and uneasy. The act of covering,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ecropping\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand censoring becomes a way of exploring visibility and absence, suggesting figures that are present yet partially withheld. Created for David Parr House, the works respond to ideas of domestic space,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand social history.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michelle Thompson","offers":[{"title":"Default Title","offer_id":54031256682829,"sku":"INC08","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/5693\/8829\/files\/NO_giclee_print_Ed20_bc722cbf-63e4-4295-a636-9e1dfef320dc.jpg?v=1780400383"},{"product_id":"how-2026-framed-by-michelle-thompson","title":"How (2026) (Framed) by Michelle Thompson","description":"\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eHow (2026\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e (Framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003eOriginal Collage, Unque\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003ePick up only after 20 June\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eMichelle Thompson is a British collage artist and illustrator based in Saffron Walden. A graduate of the Royal College of Art, she works across analogue and digital processes, combining found imagery, vintage\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eephemera\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand fragmented text to explore identity, memory,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003enostalgia\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand the female experience. Alongside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ea long career\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ein editorial illustration for clients including The New York Times, The Guardian, TIME and Penguin Books, Thompson has\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003einternationally, including at the Royal Academy of Arts Summer Exhibition. Her work often obscures or interrupts faces, questioning ideas of visibility,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003econtrol\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand representation.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e‘These collages draw on vintage domestic imagery and advertising slogans to explore\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW136594403 BCX0\"\u003eidentity,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003econtrol and the expectations historically placed on women. Using found material, fragmented text and obscured faces, the works interrupt familiar narratives and question how identity is shaped through language,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eimage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand repetition. Moving between analogue collage and digital processes, Michelle Thompson creates compositions that feel both nostalgic and uneasy. The act of covering,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ecropping\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand censoring becomes a way of exploring visibility and absence, suggesting figures that are present yet partially withheld. Created for David Parr House, the works respond to ideas of domestic space,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand social history.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michelle Thompson","offers":[{"title":"Default Title","offer_id":54031277719885,"sku":"INC08","price":325.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/5693\/8829\/files\/How_to_be_seen_original.jpg?v=1780400391"},{"product_id":"silver-weeds-2026-framed-by-michelle-thompson","title":"Silver Weeds (2026) (Framed) by Michelle Thompson","description":"\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW203702409 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003eSilver Weeds (2026\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW203702409 BCX0\"\u003e\u003cspan\u003e (Framed)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003eOriginal Collage, Unque\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003ePick up only after 20 June\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eMichelle Thompson is a British collage artist and illustrator based in Saffron Walden. A graduate of the Royal College of Art, she works across analogue and digital processes, combining found imagery, vintage\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eephemera\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand fragmented text to explore identity, memory,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003enostalgia\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand the female experience. Alongside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ea long career\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ein editorial illustration for clients including The New York Times, The Guardian, TIME and Penguin Books, Thompson has\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003einternationally, including at the Royal Academy of Arts Summer Exhibition. Her work often obscures or interrupts faces, questioning ideas of visibility,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003econtrol\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand representation.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW136594403 BCX0\"\u003e\n\u003cp class=\"Paragraph SCXW136594403 BCX0\"\u003e\u003cspan class=\"TextRun SCXW136594403 BCX0\" lang=\"EN-GB\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e‘These collages draw on vintage domestic imagery and advertising slogans to explore\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW136594403 BCX0\"\u003eidentity,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003econtrol and the expectations historically placed on women. Using found material, fragmented text and obscured faces, the works interrupt familiar narratives and question how identity is shaped through language,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003eimage\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand repetition. Moving between analogue collage and digital processes, Michelle Thompson creates compositions that feel both nostalgic and uneasy. The act of covering,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ecropping\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand censoring becomes a way of exploring visibility and absence, suggesting figures that are present yet partially withheld. Created for David Parr House, the works respond to ideas of domestic space,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003ememory\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW136594403 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003eand social history.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP Selected SCXW136594403 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michelle Thompson","offers":[{"title":"Default Title","offer_id":54031288664397,"sku":"INC08","price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0816\/5693\/8829\/files\/Beneath_Her_original.jpg?v=1780400386"}],"url":"https:\/\/shop.davidparrhouse.org\/collections\/michelle-thompson.oembed","provider":"David Parr House","version":"1.0","type":"link"}